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★ French impressionist cinema

French impressionist cinema refers to a group of French films and filmmakers of the 1920-ies.

Film critics have little difficulty in defining this movement for that matter, deciding whether to consider the motion at all. David Bordwell has attempted to define a unified stylistic paradigm and set of tenets. 1 others, namely Richard Abel, criticize these attempts and group the Movies in a broader sense, on the basis of common purpose - "the study of the process of representation and values in the oral narrative of the film." 2 still others such as Dudley Andrew would struggle with awarding any credibility at all as "movement." 3

                                     

1. Directors and theater. (Режиссеры театра и кино)

  • Abel Gance. (Абель Ганс)
  • Germaine Dulacs Smiling Madame Beudet 1922.
  • Jean Epstein. (Жан Эпштейн)
  • Marcel LHerbier Eldorado 1921.
  • Jean Renoir Nana 1926.
  • Louis Delluc La femme de nulle part 1922.
                                     

2. Periodization. (Периодизация)

1. Pictorialism at the beginning of 1918: made of films that focus mainly on the manipulation of film images through cinematography, mise-EN-scene and optical devices.

2. Photo montage started in 1923: at which point rhythmic and fast paced editing became more widely used.

3. Diffusion begins in 1926: at which point films and filmmakers began to pursue other stylistic and formal modes.

                                     

3. Stylistic paradigm. (Стилистические парадигмы)

Based on the model of the family of David Bordwells similarity: 4

I. Operator

A. camera distance: the close-up as a Synecdoche, symbol, or subjective image

B. the angle of the camera high or low

The movement of the camera C.

Second. Mise-EN-scene

A. Lighting

B. Decor

C. the placement and movement of figures in space

III. Optical devices

A. As transitions

B. How magic effects

C. How to emphasize important details

D. In fine decoration

E. as conveyors of abstract meanings

F. As signs of objectivity

IZH. Feature model edit

A. temporal relations between the shots of flashback or fantasy

B. spatial relations between shots

C. rhythmic relations between shots

                                     

4. Relation to / deviation from Hollywood stylistics. (Отношению к / отклонение от голливудской стилистики)

However, even Marseille, I dont know yet, one of the major filmmakers associated with the movement committed to the theoretical position of non-standardized forms: "none of us is a genius, Epstein, woman or myself – had the same aesthetic appearance. But we had a common interest, which was the result of the famous cinematic specificity. On this we fully agree." 5

Richard Abas revaluation Bordwells analysis sees the films as a reaction to the usual stylistic and formal paradigms, rather than model similarity Bordwells. Thus Abel refers to the movement as narrative of the Avant-garde. He regarded the films as a reaction to the narrative paradigm in cinema, namely Hollywood, and is based on the literary and generic referentiality, narrative through the intertitles, syntactic continuity, a rhetoric based on verbal language and literature, and the linear narrative structures of 6, and then undermine it, varies it, deviates from it.



                                     

5. Criticism. (Критика)

The movement is also often credited with the origin of the criticism and Louis Delluc often cited as the first film critic. The movement published Newspapers and periodicals of recent movies and discuss trends and ideas about the movie.

Kino-clubs has also been shaped by filmmakers and enthusiasts, which is shown selected films: a selection of American cuisine, German and Swedish films, but often films made by the members of the clubs.

                                     

6. Theory. (Теория)

The narrative of the Avant-garde was not a theoretical framework, although the different articulation of different writer-Directors, has confused this issue to a certain extent. A large part of it is a continuation of the poetics of the symbolists, that to posit the material world and our immediate sensory experience that art and the artists attempt to reveal and Express 7. Bordwell goes on to note the huge holes in this, theorizing that the true nature of reality and experience is not established. Holes aside, the narrative Avant-garde explores the perception of reality, and does so through two main concepts: subjectivity and photogenie. None of these terms is easily explained, if at all, but that is part of what these filmmakers have studied the unattainable understanding what can be achieved. French impressionism destabilize familiar or objective ways of seeing, creating new dynamics of human perception. Using a most strange and extraordinary effects, it changed the traditional views and to question the norm of the film industry at the time.

Subjectivity

Through the properties noted above in Bordwells stylistic paradigm, filmmakers tried to portray the inner state of the characters, and in some later, more complex films attempt to bring the audience into the equation as subjective participant.

Photogenie

Photogenie happens at the meeting of the profilmic that is in front of the camera and the mechanical and the Director. This, above all, of making the spectator with what appears on the screen. It is a property that cannot be found in most "reality", a camera that is simply switched, no records, and the Director cant just point it out. As Aitken summarizes, ".fully realized photogenie could only be manifested when its latent power was used to Express the vision of the Director, so that the inherent poetry of the cinema can be used and developed in a revelatory manner of the authors" 8. However, the narrative Avant-garde lacked a theoretical and philosophical base upon which these notions rest and thus the concept of photogenie is always on the verge of an inexplicable mysticism that many critics do not agree.



                                     
  • French cinema comprises the art of film and creative movies made within the nation of France or by French filmmakers abroad. Play media France is the birthplace
  • include German Expressionism 1920s Soviet Montage 1920s French Impressionist Cinema 1920s and Italian neorealism 1940s it was a period now
  • also been called Impressionists French Impressionist Cinema is a term applied to a loosely defined group of films and filmmakers in France from 1919 1929
  • New Wave French La Nouvelle Vague is a French art film movement which emerged in the 1950s and 1960s. New Wave filmmakers were linked by a spirit of
  • film historian Georges Sadoul as being first in ushering in French impressionist cinema During a festival day in a small Spanish town, lifelong friends
  • first and foremost an Impressionist filmmaker. Dulac s goal of pure cinema and some of her works inspired the French Cinema pur film movement. Her
  • list of films produced in France in 1992. 1992 in France French films of 1992 at the Internet Movie Database French films of 1992 at Cinema - francais.fr
  • Destin 1921 en.unifrance.org. Retrieved 14 July 2017. French films of 1921 at the Internet Movie Database French films of 1921 at Cinema - francais.fr
  • in France in 1993. Opera imaginaire TV 1993 1993 in France French films of 1993 at the Internet Movie Database French films of 1993 at Cinema - francais
  • Crisp, Colin. French Cinema - A Critical Filmography: Volume 1, 1929 1939. p.84 Crisp. Genre, Myth, and Convention in the French Cinema 1929 - 1939 p.397
                                     
  • list of films produced in France in 1941: 1941 in France French films of 1941 at the Internet Movie Database French films of 1941 at Cinema - francais.fr
  • produced in France in 2003. 2003 in France 2003 in French television French films of 2003 at the Internet Movie Database French films of 2003 at Cinema - francais
  • films produced in France in 2000. À l attaque Retrieved 29 July 2018. Deep in the woods - French Cinematheque Cine - Ressources in French Archived from
  • produced in France in 2005. 2005 in France 2005 in French television French films of 2005 at the Internet Movie Database French films of 2005 at Cinema - francais
  • produced in France in 2004. 2004 in France 2004 in French television French films of 2004 at the Internet Movie Database French films of 2004 at Cinema - francais
  • produced in France in 1995. 1995 in France 1995 in French television French films of 1995 at the Internet Movie Database French films of 1995 at Cinema - francais
  • the French cinema ordered by year and decade of release on separate pages. For an alphabetical list of French films see Category: French films. French films
  • Classic Movies. Retrieved March 2, 2015. 1988 in France French films of 1988 at the Internet Movie Database French films of 1988 at Cinema - francais.fr
  • list of films produced in France in 1996. 1996 in France French films of 1996 at the Internet Movie Database French films of 1996 at Cinema - francais.fr
  • list of films produced in France in 1997. 1997 in France French films of 1997 at the Internet Movie Database French films of 1997 at Cinema - francais.fr
                                     
  • films produced in France in 2006. Michou d Auber 2007 Movie Review from Eye for Film 2006 in France 2006 in French television French films of 2006 at
  • Guardian. 2013 in France 2013 in French television French films of 2013 at the Internet Movie Database French films of 2013 at Cinema - francais.fr List
  • Renaudier 1920 Le secret d alta rocca : Le film French films of 1920 at the Internet Movie Database French films of 1920 at Cinema - francais.fr
  • produced in France in 1958. 1958 in France 1958 in French television French films of 1958 at the Internet Movie Database French films of 1958 at Cinema - francais
  • 94. Dayna Oscherwitz MaryEllen Higgins. The A to Z of French Cinema p.339. French films of 1931 on IMDb French films of 1931 at Cinema - francais.fr
  • produced in France in 2007. 2007 in France 2007 in French television French films of 2007 at the Internet Movie Database French films of 2007 at Cinema - francais
  • dans la tourmente ou Ombres noires ou Sacrifices 1940 French films of 1942 at the Internet Movie Database French films of 1942 at Cinema - francais.fr
  • list of films produced in France in 1948. 1948 in France French films of 1948 at the Internet Movie Database French films of 1948 at Cinema - francais.fr
  • list of films produced in France in 1937: 1937 in France French films of 1937 at the Internet Movie Database French films of 1937 at Cinema - francais.fr
  • in France in 1952. 1952 in France Cet age est sans pitie 1952 French films of 1952 at the Internet Movie Database French films of 1952 at Cinema - francais

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